“The next ten or fifteen years in this country are going to be a halcyon era for state and local political corruption. It is going to be one of the great times to be a corrupt politician.”
These words were uttered at a hearing in the heart of Political America recently. You can see it, and an interview with Ariana Huffington of the Huffington Post, over on this webcast of a segment from MSNBC’s ‘Morning Joe’.
Oh yes; journalism (its nature, its state) isn’t just making news at the moment; it’s in the news. The rise of the ‘blogosphere’ has been a perennial issue for some time; as a journalism student I saw many well-known journalists speak and the one topic that they all always came back to was the changing face of their trade in the age of new media.
Alan Rusbridger failed to convince with an almost-powerpoint about how the Guardian’s transition to the ‘Berliner’ format was an attempt to shore up sales while papers do the job of convincing people that their coverage is worth actually paying for (I think I’ve complained about his talk before…). Of the writers, ‘columnist’ Polly Toynbee was particularly derisive of this challenge to her status as arch-opinion-former.
It’s at the movies, too. State of Play (which is excellent) feeds off the in-house tension between a veteran political reporter who types onto a dark screen with two fingers at a time and the young thing behind his paper’s attempt to survive online. When Crowe’s character says “You think I’m over-fed, too expensive and take way too long”, he isn’t simply referring to himself. Newspapers now cost around £1 a day in this country (which almost legitimises my ever-more-frequent splashing out for the International Herald Tribune, at closer to a quid-fifty). Why pay that to read news that was only fresh ten hours ago?

The Independent, under Simon Kelner, tried something new. Objectivity? Who needs it! News is subjective. Importance is relative. Everyone writing this paper is human; let’s not pretend we don’t have opinions. The result was the ‘viewspaper’, a concept which has slipped away somewhat since the start of Roger Alton’s reign (he prefers the more old-fashioned approach of decorating the pages with beautiful women. They “basically make the world a better place”, after all). Today I’m not quite clear whether the ‘viewspaper’ ever made the Indie into anything more than the Express of the left.
The recent outcry over Swine Flu panics on the Internet allowed every traditional-media commentator to point out what they perceive to be the inferiority of blogs, and twitter, and social networking sites. If it’s not edited, it’s not safe. No-one making this claim can have seen some of the front-page headlines I saw a week ago. “Swine Flu to kill 91,000 Londoners” is a personal favourite.
Newspapers are not immune to misjudgments, errors, factual inconsistencies and unqualified opinions. It’s pretty ironic to see the stalwarts of the printed-press attacking new information-distribution systems for inflating problems or being hysterical when the very slump in sales caused by new media is the driving force behind the popularisation, dumbing-down and spectacle-seeking that practically every newspaper I can think of has been moving towards (though I do feel inclined to point out my belief that the USA’s daily printed media are of a sustained quality compared to the papers here in the UK).
The current, excellent issue of Prospect magazine (I know, I keep linking to them) mounts a debate around and defence of ‘serious journalism’. More here.
This seems particularly timely as the Telegraph, mocked and criticised (Private Eye calls it the ‘Maily Telegraph’) for its massive staff cuts and new-found interest in celebrity nonsense, dominates everyone’s news-schedules for the second day running. Its comprehensive investigation into and explanation of Parliament’s flawed expenses system is an absolute must-read, clearly the product of prolonged research, and a genuine scoop. Are there mistakes? Of course. Dozens, I’m sure (it’s still worthwhile).

But, crucially, The Huffington Post probably couldn’t get away with this many factual issues or slightly-libellous claims without compromising its standards. I’m simply not convinced that we hold our more established online news-sources to a lower standard than we do our printed media. I’d personally trust a twitter feed more readily than an editorial in the Express.
Warren Ellis advised us in last month’s Wired (another great magazine) not to trust the new media as a source of news. Why? Because online news providers “have no interest in their minimum-wage blogmonkeys thinking about anything bigger than their hitcount”. But how, precisely, does this differ from the editors and writers of the modern-day newspaper, faced with shrinking sales and deflating advertising revenues?
Things move quickly in this new world. Amazon’s Kindle, the most successful of the e-ink reader systems, is moving toward a larger format that can more effectively accommodate the big pages of newspapers and journals. The days of getting ink on our fingers may well be numbered, and this would be no bad thing for an environment that needs its trees.
Are newspapers going to disappear? No. They’ll change, they’ll be forced to adapt. I personally think they’ll become more like magazines. I’m reading more magazines now than I have at any other time in my life; I’ve referred to at least three different magazines right here in this article.
To return to the quote at the top of this blog – is the decline of the traditional media really going to undermine the accountability of the political world? People thought this way when radio hit newspapers, and again when television hit newspapers. The truth is that it has become harder to do wrong, and to get away with it, than ever before. This fact raises ethical issues of its own.
But let us not delude ourselves that ‘serious journalism’ plays some quasi-constitutional role that more democratic systems of reportage cannot match.
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